Showing posts with label watercolor. Show all posts
Showing posts with label watercolor. Show all posts

Tuesday, October 21, 2014

Water color painting of horses in 5 stages


Five steps or stages of my latest watercolor painting “exile”:

"Exile" watercolor on paper


The creation or "head-scratching" stage :

This is for me the most important stage if I want to create a detailed painting or have a lot of control over the outcome. It is the only time I allow myself to think and plan the subject, composition, values, focal point and color palette. Sometimes, I never get to the second stage and start over with a new idea. Definitely the most time consuming and frustrating part of the process but necessary and, in the end, worthwhile to hang in there...(Munching on my favorite cookies helps me through this stage). 


Wet-in-wet or "merry-go-around" stage:

The aim here is to cover as much paper as quickly as possible, carefully saving the whites. This is the most exciting stage where I am still full of confidence. The challenge is to make these first layers not too dark or too light because this is just the under painting. I royally splatter water and mix and pour paint like a happy worry free kid. The world looks bright and pretty too me....


Form and texture or "sprinkle some fairy dust" stage:

The paper is still moist but not completely wet as in the first stage. Now it is time to add form and texture by adding colors in the middle value. Nothing really stands out yet except the lightest value which is the white of the paper.  In this stage I still feel confident because it is still about building tones and shapes. I wildly keep moving my brush around the whole painting like a fairy moving her wand. At the end of this stage I become a little more skeptical and a frown might be showing on my forehead...



Detail or "danger zone" stage:

Now I am treading carefully and continue building on the shapes by adding more color to create the darker values and depth. At this stage the focal area gets the most love. The painting is still moist, yet no longer wet. My confidence sneaks away and doubts creep in.  My trust issues are starting to show. This is probably the stage where artists seem mad…..where they start staring out of the window or through you. Maybe they just abandon the painting at this stage all together. I have a blank stare and a big question mark is hovering above my head. What now? How to proceed? The paint is drying and I have to remind myself that thinking is only allowed in the first stage. This stage is all about diving in and letting go. It is about trusting that the painting will come to life or end up as one big muddy blob. Since I can't trust my thinking or feelings at this stage, I just move on to the last stage when I feel that I should spend another hour on the painting. This decision is protecting myself from overworking the painting and from hating myself and the painting afterwards....


Final touches or "the-next-time-better" stage:

When the painting is completely dry I either breath a sigh of relief or comfort myself with the words "next time better" making notes about what I want to avoid the next time. But I will not fix any thing to satisfy my perfectionistic silly ego. Instead, I am using only a maximum of 10 minutes (yes, I do set a timer to control myself) to add the final touches and dark accents. Then I let it go and consider it finished.  Consider this phase like the exclamation mark or period after a sentence. No more long winded paragraphs or sentences.  In the past I would fuss over a painting until the paper and my head would rip in two. By moving on I protect myself from crazy behavior and I happily look forward to starting the next “better” painting.  I throw out the empty cookie bag and look back on a fun time with my brushes, paint, paper and soul, craving for more...




The original painting is no longer available but prints, greeting cards and iPhone case can be purchased at  Fine Art America. Their commissions seem to be meant to starve us so I need a lot of buyers to buy one bag of cookies...!

Or visit me at my Facebook cave or leave comments below. They are an artist's mental and emotional food. So, thanks for nourishing my soul!



Sunday, December 23, 2012

Restricting the imagination can be freeing

After my last post I realized that I missed the necessary skills to continue illustrating my children's book and  enrolled in the Illustrating Children's Books Diploma course at the London Art College.

The most valuable lesson I learned from this course is that restriction can be freeing...

Having to follow the instructions of the assignments or sample briefs to the letter sounds very restrictive but it is also very freeing.

The course unleashed my imagination in a contained area, in the same way a wild mustang is put into a round pen to get used to becoming comfortable, responsive and in tune with its rider.
Thanks to these restrictions I was able to create pictures on paper that otherwise would just have been ideas floating aimlessly in my head.

The school didn't teach me how to become imaginative just like the Mustang can't be taught how to be a horse. As a young girl I had a vivid imagination and I could just never draw a normal horse. I had to turn it into a ballerina, add wings or clothes because I always was a dreamer. This course brought out my strengths and helped me improve my weaknesses, enabling to use my imagination in an effective way.

In a couple of months I will be graduating and feel that I have finally have found my artistic path.

This feeling of finding my way has been one of the most joyful experiences in my life.

Holiday Joy Watercolors on paper by Ursula "Ariannah" Brozovich


Therefore, I wish that 2013 will be the year for you to do what you love or find out what you want to do.

Merry Christmas!

You can follow me on Facebook: https://www.facebook.com/AnimalKingdomArt

Thursday, September 29, 2011

Great Pyrenees Dog water color painting


Mostly self taught, I consider the different mediums my teachers...Watercolor has always been the most demanding one. Only watercolor requires me to have a sense of control and at the same time the willingness to let go...

Some people go to health spas or retreats for some quiet time and self-reflection...I turn to watercolors...

This is a watercolor painting of Guardia, a 9 month old Great Pyrenees that we rescued from a puppy mill in 2008. It took more than a year before she started trusting people. Only with the help of watercolors was I able to capture her mysterious reserved, yet always attentive nature...

                                                                     
                                                                       Great Pyrenees
                                                                   Watercolor on paper

Monday, January 10, 2011

The value of water color paintings

How can the most affordable medium be the most difficult to master and sell? 


Watercolor vs Acrylic
Unlike Acrylic, watercolor is unpredictable, unforgivable and unappreciated and is therefore not for the faint hearted artist.

Mother Nature
Acrylic on canvas 2007



Watercolor is character building
  • To create desired results I have to plan ahead and think about the consequences of choosing colors and composition. It is much easier with Acrylic to correct mistakes than with water color.
  • There is no easy way out. Practice, practice, practice is the only watercolor way.
  • This is the only medium that teaches the painter to let go of the need of excessive control. Only when self control is learned is the artist able to enjoy and appreciate the unexpected effects of watercolor. I noticed that when I became better in water color I also became a better person. 

Cozy Winter Day
Watercolor 2011





Transparent watercolors vs opaque watercolors (Gouache)
Many critics or water color competition jurors prefer that artists should only use one or the other. Yet they have no objection of using any other product with transparent water colors such as, salt, alcohol or other products to create special effects. Personally I like to experiment and will use whatever will enhance my painting including Gouache.



Love on the Rocks
Transparent watercolor 2010 (without use of Gouache)





Elephants crossing
Transparent Watercolor 2010 (with use of Gouache)




The value of watercolor paintings
Acrylic artists ask more for their paintings because of the more expansive materials. They also can get more money because of the perceived higher value by critics and art collectors. However, the amount of work hours and effort is the same or more. Unfortunately, the painting is not as durable as acrylic and the effort is not paying enough. These are all factors why watercolor doesn't have the same acknowledgment as acrylic or oil paintings (yet). The artists, however, values the many possibilities and growth opportunities as an artist and person. When I look at a master piece of a water color artist I cannot help but feel respect and admiration, knowing what it takes to create a beautiful water color painting. I not only value the art piece of the painter but also the watercolor artists as a person. A successful watercolor artist has transcended the realm of material, talents and skills. Water color animal paintings have spiritual value.
Putting a price tag on inner peace, inspiration and belief is therefore a daunting task for every water color artist.